Texts
John K. Grande - As a painter, he challenges the codes of contemporary abstraction, leaving touches of figuration. These works reference visual experience and the realities of a mediatized society.
Gary Michael Dault - He clearly finds delight in the rapturous, convulsive nature of untrammeled paint-handling, losing himself in its irrational joys...
Martin Mills (I) - McLeod is obsessed with recording, seeing this as the function of the artist. He is at pains to point out that there is no moral interpretation going on here, merely observation.
Martin Mills (II) - We see depicted the effects of time and place on our collective mental landscape, drawn down into something resembling a coherent statement, yet never quite within the grasp of language.
Craig Scott - [A]n uncanny ability to place highlights or zones or textured streaks of colour in a way that both teases the eye, moving it around the canvas, and (often) signals a more representational element in his work...