Parallel of Latitude (2012)
Shapes assemble, but resist easy identification; instead, colour signifies only itself and forms remain fleeting, hinted at but never outlined...
(Martin Mills) - read more...
The Forest and the Trees (2012)
Heaps of paint are placed, plotted and pushed. For some works this process can take years. For others, the image forms within days...
(Artist's Statement) - read more...
Migration (2012)
In any given work, he may be in conversation with Canadian artistic ancestors like a Riopelle, a Borduas, a Thompson, a Morriseau, or a Jackson. But his influences cannot but be - and are - global...
(Craig Scott) - read more...
Abandoned Fields (2011)
Some of these effects are "imprinted" as if on a map, while still others have been "placed" onto the surface, as a build up of painterly gestures.
(John K. Grande) - read more...
Tag Cloud (2007)
An attempt to mark and catalogue the individual elements of an urban space in the same manner that users tag Web content, space that is continually shifting and transforming...
(Artist's Statement composed on the occasion of 1er Seminario de Arquitectura y Pensamiento, Valencia, Spain) - read more...
Pond (2011-12)
There is a tension in the work. I like to make it an effort to figure out the story. But it takes a lot of patience, a long time to capture that sense of a frozen moment, so I expect my audience to take the time too, to look closely.
(Interviewed in dotdotdot magazine) - read more...

Middle Temple (2008)
McLeod combines the formal structure of a certain type of abstraction with the lyricism of Expressionism, but never veers completely into abstract expressionism...
(Martin Mills) - read more...
Further Unmanned Strategies (2007)
Biblical plagues of insects morph into drones, buzzing through the city, recording everything in their wake...
(Martin Mills) - read more...