Middle Temple (2008)
McLeod combines the formal structure of a certain type of abstraction with the lyricism of Expressionism, but never veers completely into abstract expressionism...
(Martin Mills) - read more...
McLeod combines the formal structure of a certain type of abstraction with the lyricism of Expressionism, but never veers completely into abstract expressionism...
(Martin Mills) - read more...
Pond (2011-12)
There is a tension in the work. I like to make it an effort to figure out the story. But it takes a lot of patience, a long time to capture that sense of a frozen moment, so I expect my audience to take the time too, to look closely.
(Interviewed in dotdotdot magazine) - read more...
There is a tension in the work. I like to make it an effort to figure out the story. But it takes a lot of patience, a long time to capture that sense of a frozen moment, so I expect my audience to take the time too, to look closely.
(Interviewed in dotdotdot magazine) - read more...
Abandoned Fields (2011)
Some of these effects are "imprinted" as if on a map, while still others have been "placed" onto the surface, as a build up of painterly gestures.
(John K. Grande) - read more...
Some of these effects are "imprinted" as if on a map, while still others have been "placed" onto the surface, as a build up of painterly gestures.
(John K. Grande) - read more...
Tag Cloud (2007)
An attempt to mark and catalogue the individual elements of an urban space in the same manner that users tag Web content, space that is continually shifting and transforming...
(Artist's Statement composed on the occasion of 1er Seminario de Arquitectura y Pensamiento, Valencia, Spain) - read more...
An attempt to mark and catalogue the individual elements of an urban space in the same manner that users tag Web content, space that is continually shifting and transforming...
(Artist's Statement composed on the occasion of 1er Seminario de Arquitectura y Pensamiento, Valencia, Spain) - read more...
Ibiza (2005)
He clearly finds delight in the rapturous, convulsive nature of untrammeled paint-handling, losing himself in its irrational joys.
(Gary Michael Dault) - read more...
He clearly finds delight in the rapturous, convulsive nature of untrammeled paint-handling, losing himself in its irrational joys.
(Gary Michael Dault) - read more...
Further Unmanned Strategies (2007)
Biblical plagues of insects morph into drones, buzzing through the city, recording everything in their wake...
(Martin Mills) - read more...
Biblical plagues of insects morph into drones, buzzing through the city, recording everything in their wake...
(Martin Mills) - read more...
Control Room (2009)
His surfaces are pockmarked with railroad tracks and the residue of heavy vehicles, fumes rise up - these are the traces of traffic and modern life...
(Martin Mills) - read more...
His surfaces are pockmarked with railroad tracks and the residue of heavy vehicles, fumes rise up - these are the traces of traffic and modern life...
(Martin Mills) - read more...
Migration (2012)
In any given work, he may be in conversation with Canadian artistic ancestors like a Riopelle, a Borduas, a Thompson, a Morriseau, or a Jackson. But his influences cannot but be - and are - global...
(Craig Scott) - read more...
In any given work, he may be in conversation with Canadian artistic ancestors like a Riopelle, a Borduas, a Thompson, a Morriseau, or a Jackson. But his influences cannot but be - and are - global...
(Craig Scott) - read more...