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Reactor (2011-12)
homepage/cmc_reactor.jpgThere is a tension in the work. I like to make it an effort to figure out the story. But it takes a lot of patience, a long time to capture that sense of a frozen moment, so I expect my audience to take the time too, to look closely.
(Interviewed in dotdotdot magazine) -
The New Nature (2011)
homepage/cmc_new_nature.jpgSolo exhibition at LaParete Gallery, October 22nd - November 15, 2011.
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Central Station (2009)
homepage/cmc_central_station.jpgHis surfaces are pockmarked with railroad tracks and the residue of heavy vehicles, fumes rise up - these are the traces of traffic and modern life...
(Martin Mills) -
Particles (2003)
homepage/cmc_particles_01.jpgIn any given work, he may be in conversation with Canadian artistic ancestors like a Riopelle, a Borduas, a Thompson, a Morriseau, or a Jackson. But his influences cannot but be - and are - global...
(Craig Scott) -
Going Home (2005)
homepage/cmc_going_home.jpgMcLeod combines the formal structure of a certain type of abstraction with the lyricism of Expressionism, but never veers completely into abstract expressionism...
(Martin Mills) -
Abandoned Fields (2011)
homepage/cmc_abandoned_fields.jpgSome of these effects are "imprinted" as if on a map, while still others have been "placed" onto the surface, as a build up of painterly gestures.
(John K. Grande) -
Further Unmanned Strategies (2007)
homepage/cmc_fus_SM.jpgBiblical plagues of insects morph into drones, buzzing through the city, recording everything in their wake...
(Martin Mills) -
Unmanned (2006)
homepage/cmc_unmanned.jpgA moment's inspection of these dark, winged forms soon reveals, however, that they are really far more mechanical than they are creaturely...
(Gary Michael Dault)